By Daniel Mason
From the bestselling writer of The Piano Tuner, a gorgeous novel a couple of younger girl's trip via an enormous, unnamed state looking for her brother.
Fourteen-year-old Isabel was once born in a distant village with the present and curse of "seeing farther." while drought and conflict grip the backlands, her brother Isaias joins an exceptional exodus to a teeming urban within the south. quickly Isabel needs to persist with, leaving behind the one domestic she's ever recognized, her sole comfort the idea of being along with her brother again.
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Extra resources for A Far Country: A Novel
They describe blonde and evil female characters − named Nelly Raymond and Janet Faithfull − who are seducers, calculators and who attempt to murder all those people who oppose their plans (‘Sensational Hair’). 7. Sedgwick, The Coherence of Gothic Conventions, p. 49. indd 36 18/08/2010 15:29 Displacing the Gothic in Lady Audley’s Secret 37 8. ‘Like the Gothic, sensation novels were generic hybrids, in this case combining the journalistic and the fantastic, the domestic and the exotic, realism and melodrama’ (Pykett, ‘Sensation and the Fantastic in the Victorian Novel’, p.
21. 22. ’, p. 3). On this aspect, see also Loesberg, ‘The Ideology of Narrative Form in Sensation Fiction’. Todorov, Genres in Discourse, p. 18. See Derrida, ‘The Law of Genre’. Thomas O. Beebe opens his analysis on the instability of literary genres saying that ‘[as] a form of ideology, genre is never fully identical with itself, nor are texts fully identical with their genres. Furthermore, if genre is a form of ideology, then the struggle against or the deviations from genre are ideological struggles’ (The Ideology of Genre, p.
Lady Audley] walked away in the darkness, leaving Phoebe Marks still kneeling upon the hard road, where she had cast herself in that agony of supplication. indd 35 18/08/2010 15:29 36 In Lady Audley’s Shadow slept, with the red blaze lighting up the skies behind her, and with nothing but the blackness of the night before. (Book 3, Chap. 1, p. 337) The image of Lady Audley who contemplates the flames destroying the ‘Castle’ can be interpreted as Braddon’s textual farewell to the Gothic genre in its traditional form and an exemplary introduction to its updated evolution in her future productions, where traumatising trains (in John Marchmont’s Legacy) or foreign vampires haunting young English ladies (in ‘Good Lady Ducayne’) will represent the new mutating forms of the Victorian Gothic.
A Far Country: A Novel by Daniel Mason