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New PDF release: 3-D Revolution: The History of Modern Stereoscopic Cinema

By Ray Zone

ISBN-10: 0813136113

ISBN-13: 9780813136110

In 2009, Avatar, a 3D motion picture directed by way of James Cameron, grew to become the main profitable movie of all time, a technological leap forward that has grossed greater than $2.5 billion around the world. Its seamless computer-generated imagery and stay motion stereo images successfully outlined the significance of 3D to the way forward for cinema, in addition to all different presently evolving electronic screens. notwithstanding stereoscopic cinema started within the early 19th century and exploded within the Fifties in Hollywood, its current prestige as an everlasting style used to be proven through Avatar's success.

3-D Revolution: The heritage of recent Stereoscopic Cinema lines the increase of contemporary 3D expertise from Arch Oboler's Bwana satan (1952), which introduced the 50s 3D increase in Hollywood, to the rapidly-modernizing 3-D this present day. Ray quarter takes a entire strategy that not just examines the know-how of the movies, but additionally investigates the company, tradition, and artwork in their creation. Influencing new generations of filmmakers for many years, the evolution of three-D cinema know-how maintains to fill our theaters with summer season blockbusters and vacation megahits.

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Additional info for 3-D Revolution: The History of Modern Stereoscopic Cinema

Sample text

After receiving a quick course in 3-D photographic technique using the dual 35mm rig engineered by MGM camera department head John Arnold, Fleischer and Loew headed off to the Tucson Annual Rodeo to photograph a real rodeo with all its color and excitement. ” Loew had contracted the entire rodeo, including cowboys, horses, and bulls, to stay behind after the event was over so that 3-D close-ups could be filmed with the actors among them. “The villain of the story was a big, vicious, man-killing Brahma bull,” wrote Fleischer.

He asked. ” “Yeah. I think you picked a Ferdinand,” replied Loew. “He’s just another pretty Hollywood face with no talent. ” At the wrangler’s suggestion, Fleischer made another attempt to have the bull exit the chute, only this time Number 48 was given an electric shot in the balls with a cattle prod as the gate opened. Gradually, with the addition of firecracker noisemakers, whoops and hollers, and thumps to the backside, Number 48 showed sufficient signs of life for acceptable 3-D footage.

It Came from Outer Space (May 26, 1953), directed by Jack Arnold in black and white and presented at the expo in stereo sound, is one such example. 3-D effects with meteors and avalanches hurtle into audience space. Several times we see from the point of view of an alien. But 42 3-D Revolution eventually the audience member is pulled back into the otherworldly narrative, its atmosphere then subsequently reinforced by 3-D. The spatial experience in its surreality is an inherent part of the film’s strangeness.

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3-D Revolution: The History of Modern Stereoscopic Cinema by Ray Zone


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