By Bill Hurter
From capturing formal family members images in a dimly lit church to shooting vigorous candids at a bustling reception, this valuable reference offers a hundred advice for dealing with the method from begin to finish—choosing the simplest gear, taking pictures the easiest moments on movie, and embellishing and featuring them afterwards. quite a few execs provide precious recommendation for electronic marriage ceremony photography, giving technical guidance on lighting fixtures, publicity and metering, and colour administration, in addition to rules for scouting destinations, facing frightened brides, and photographing huge teams. abundant time is spent at the many elements of posing and lighting—for either formal and casual situations—with an eye fixed towards improving the potency of the shoot and the average attractiveness of the resulting images.
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Additional info for 100 Techniques for Professional Wedding Photographers
Start the formal session by having the person look at you. Using a cable release with the camera tripod-mounted forces you to become the host and allows you to physically hold the subject’s gaze. It is a good idea to shoot a few frames of the person looking directly into the camera, but most people will appreciate some variety. The Smile. One of the easiest ways to produce a natural smile is to praise your subject. Tell her how good she looks and how much you like a certain feature of hers—her eyes, her hair style, etc.
While it is formal and structured, it still looks like a relaxed pose, and shows off this elegant bride at her finest. RIGHT— While there are basic guidelines for camera height in order to satisfy perspective parameters, top photographers will often impose on those guidelines for a different effect. Here, Marc Weisberg lowered the camera height in this head-and-shoulders portrait to below the bride’s chin, making her appear higher than the camera. It is a subtle adjustment that enhances the young bride’s elegance and graceful neck.
It provides the greatest reduction in file size when used for images that contain large areas of a single color. JPEG. JPEG is a lossy compression strategy supported by JPEG, TIFF, PDF, and PostScript language file formats. When saving an image in the JPEG format in Photoshop, you can specify the level of compression by choosing an option from the Quality menu (in the JPEG Options dialog box). For the best results, always choose the highest image quality (a setting of 10 to 12). ZIP. ZIP is a lossless compression strategy that is supported by PDF and TIFF file formats.
100 Techniques for Professional Wedding Photographers by Bill Hurter